For the first time, a complete corpus of graphic works by Omar Galliani, created from the seventies to the 2000s, is exhibited. The master of Italian drawing approached engraving techniques – mainly lithography and aquatint – thanks to a teaching position at the Academy of Fine Arts in Urbino (1979-80), a city that has always been known for its art printing houses.
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The initiative is an invitation to discover the beauty of Chianti through a new lens, where art is not only seen, but lived, and where wine and painting merge in a sensorial and intellectual experience.
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The exhibition “The Great Illusion” set up at the Crociani Civic Museum – Pinacoteca in Montepulciano, offers a visual and conceptual exploration of the reflections of the artist Tomaini on the impact of modern technologies on contemporary society.
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My work arises from a constant dialogue between ideal forms and the material that expresses them, a process that is not purely instinctive nor totally rational. It is a fusion of intuition and reflection, in which natural laws and ideas meet, with geometry marrying to living form. I do not try to separate these aspects, because I believe that beauty emerges precisely from this synthesis between ideal perfection and material imperfection, between thought and gesture.
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Musical entertainment, cultural activities, days dedicated to animal friends, charity evenings, sports initiatives, dance performances and many other characteristic events are ready to tell the folklore of the Gualdo community.
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The Alvise Giustinian store in Florence takes its name and is inspired by the Venetian doge of the same name of the 1200s, as well as the palace that houses the glass museum of Venice. It is the reference point in Tuscany for Venetian craftsmanship Made in Italy.
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The exhibition at Palazzo della Penna chooses to offer visitors an unprecedented reading of Perugia’s story, focusing on the theme of the “artist’s workshop”, which began to take shape in the Middle Ages, in particular with the affirmation of Giotto’s art, and then consolidated, in its most typical characteristics, during the Renaissance period also thanks to Perugino, whose entrepreneurial skills are known no less than their artistic skills.
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In 1991 he set up the art workshop La Scultura di Andrea Roggi, where he has been crafting his sculptures from start to finish and, with the help of his assistants, he manages to create large-sized yet finely detailed pieces. Bronze is the material he chose, which he puts through the lost-wax casting process to finally transform the clay models into masterpieces.
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As for her work, in addition to events and ceremonies, the Casentino artist promotes family photography and souvenir photos in her studio, “in a world where one is overwhelmed with images without retaining one”. The press is a perfect example of this and I, is absolute testimony – and I, as an old-fashioned publisher, fully agree.
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The Centre is structured as an educational environment and a training space open to people of all ages, from different backgrounds and cultures. It’s a place to develop one’s sociability and exercise one’s creativity, participating in the proposed activities and enjoying this meeting place every day.The activities are very diverse in order to satisfy all different interests and needs, both for young and elderly people with whom the centre also collaborates through an active generational exchange.
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Among the novelties, the scientific color reconstruction of the first documented work of Raphael, the Coronation of Saint Nicholas of Tolentino, edited by Francesco Paolo Di Teodoro and Filippo Camerota, visible in the exhibition through a digital installation produced by the Museo Galileo in Florence, and the scientific account of the important restoration work, by the Central Restoration Institute (ICR), the banner of the Brotherhood of SS. Trinità, the only mobile work of the artist left in Umbria, now located at the Municipal Art Gallery of Città di Castello in the same room of the “Martirio di San Sebastiano’, by Luca Signorelli, one of the most studied artists by Raffaello in his youth. The restoration has allowed to fill some of the gaps present in the work and left ‘exposed’ in the previous intervention of 2006, always edited by the ICR.
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A historic and ground-breaking Riviera hotel, the Lucerna was founded in Castiglione della Pescaia in 1958 by Nello Raffi, Laura’s grandfather. In the same year, just think, that the famous Riva del Sole hotel opened. It was in 1972 that her parents Gino and Brunella started working so much there that the young Laura spent her youth here, breathing the air and life of the hotel in the management work as well as in the extraordinary ambience of encounters and acquaintances with the legendary characters of the time.
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Jutta was born in Coblenz in the Rhineland in Germany during the War, and went to study art and design in Dusseldorf. She had always dreamed of leaving Germany to travel, and spent a year abroad studying and working in Rome. When, after 6 years of art school, the possibility to spend a period in South Africa working for a textile company presented itself, the young Jutta jumped at the opportunity.
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The frescoes of the fifteenth century coexist with an older layer dating back to at least two centuries before, which have a clearly templar nature”. They are part of the original decorative apparatus of this, which could have been a church but also a temple, since the motifs refer to the stone of the temple in Jerusalem.
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The Valle Museo [Valley of the Musems] comes closer. What is meant by this expression? Is it said that it was coined a few good decades ago by the Castello gallery owner Luigi Amedei and then became an effective (if abused) synthesis for interregional tourism and cultural policies between Città di Castello and Sansepolcro.
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In this extraordinary “photo album” often painful events in her life pursue one another but she remained always passionate about her life, her loves, friendships and adventures.
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