Who knows what Duchamp, a famous exponent of the French avant-garde, would think if he had seen us busy around a toilet, wanting to reproduce a new ‘Fountain’ – his ready-made work/urinal, created by the artist in 1917. The original piece, which was widely known for its sensation, was lost. Today only copies are preserved in various museums around the world.
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“Phase two of this newly branded ‘Terme Miele’, which we have called ‘water’ – he continues – will see the commissioning of two therapeutic whirlpools, two private soaking tubs for specific bath oil and salt treatments and an anti-gravity mini-pool”. The architecture of the new Spa will recall a beehive, combining well-being with the prodigious magic world of bees and honey inspired treatments.
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While one morning at the beginning of June I am absent-mindedly going through the mass of emails on my laptop, I come across the formal and enthusiastic message from Chris Romani – who invites me to visit ‘Poggio Paradiso’, a recently renovated accommodation facility on the hilly spurs overlooking Torrita di Siena, along the road that leads to Pienza and Valdorcia: “Come to us, I would like you to see and touch the care and love that we have put into our project, to which we have completely dedicated ourselves.”
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Jutta was born in Coblenz in the Rhineland in Germany during the War, and went to study art and design in Dusseldorf. She had always dreamed of leaving Germany to travel, and spent a year abroad studying and working in Rome. When, after 6 years of art school, the possibility to spend a period in South Africa working for a textile company presented itself, the young Jutta jumped at the opportunity.
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The oldest part of the house, the central tower, goes back to the 15th century, its original incarnation being a watchtower protecting Tuscany’s flank with Papal Umbria. It became a house when two wings to the left and right of the tower were added in 1771 by the Tommasi family, whose coat of arms adorns a large stone set into the wall above the main door.
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At the end of the Val D’Esse, nestled under the hill separating Tuoro and Lake Trasimeno from the countryside below Cortona sits the tiny hamlet of Piazzano. Just inside the border of Umbria, it is surrounded by farmland, olive terraces and woodland. This ancient area may have gotten its name during the famous battle between the Carthaginian general Hannibal and Roman consul Gaius Flaminius in 217 B.C.E. when it is thought the Roman contingent set up a military camp there with a “piazza d’armi” or a parade ground.
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Driving across the flat plain which stretches between Castiglion Fiorentino and Marciano with its fields and sparsely scattered farmhouses, we come across a vast, open stretch of land, eleven hectares in all, home to the Centro Volo Serristori. Here all manner of light aircraft can be seen coming and going, particularly on the weekends – ultralights and small touring planes such as Pipers and Cessna.
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The Piazza collection grew naturally out an emotion: Sebastian and Megan remained astonished by the hollow silence that fell over the piazzas and streets of their town during the worst of the pandemic, so when life began to trickle back into the open air this spring, they realized just how important the social contact of these gathering places is, and the essential vitality it lends to the community. This new collection is based on that idea – the lively conviviality, light-heartedness and sense of belonging that the piazza filled with neighbors and visitors enjoys.
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