The award, in defining the Complex of S. Anna as an “example of constant commitment to the defence of the landscape”, clearly refers to its well-known history, which sees it used since the Middle Ages for humanitarian and educational cultural activities, with the hospitality of orphans, with worship and teaching, but also refers to its most ancient history.
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I decided to interview the engineer Luciano Vagni because I believe he is part of the soul of Etruscan Perugia, the one who with the excavations under the cathedral brought it to light and who organized the multimedia museum in the monumental complex of Sant’Anna with which he is teaching school children the Etruscan discipline.
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The exhibition at Palazzo della Penna chooses to offer visitors an unprecedented reading of Perugia’s story, focusing on the theme of the “artist’s workshop”, which began to take shape in the Middle Ages, in particular with the affirmation of Giotto’s art, and then consolidated, in its most typical characteristics, during the Renaissance period also thanks to Perugino, whose entrepreneurial skills are known no less than their artistic skills.
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